Caribbean Music & Culture Media 🎶 Interviews • Events • Industry News 1M+ monthly views 🇹🇹 Trinidad & Tobago
Outreach This Creator For FreeFollowers
33.2K
Following
4.2K
Total Posts
Engagement Rate
0.27%
Avg Likes
83
Avg Comments
Nigel Telesford | OvertimeTT is a Music brand on Instagram based in United States, tracked in the InstME index with 33.2K followers. Content spans music and parenting. Nigel Telesford | OvertimeTT has shared 3,552 posts to date, currently around 3 posts a week. Posts average 83 likes and 6 comments, an engagement rate of 0.27%.
Counting 33.2K followers and 3,552 posts, Overtimett sits in the InstME index as a Music account.
Benchmarked against 17,051 Music accounts with 10K–100K followers, Overtimett posts a 0.27% engagement rate that is in the bottom quarter (median: 2.47%).
Comments arrive at about one per 14 likes, a sign of an unusually discussion-heavy audience.
Video content from Overtimett draws about 2.3K views.
Posting frequency for Overtimett sits at about 3 posts per week.
Overtimett comes in at 70/100 for audience quality, with 25% of followers estimated low-quality or inactive, a solid result.
Estimated sponsored-post value
$120–$220
Based on 33.2K followers and a 0.27% engagement rate, a single sponsored post by Overtimett is worth an estimated $120–$220. This is a modeled range, not a quoted rate, actual pricing varies by niche, content format, usage rights and exclusivity.
Audience Health
~25% of followers look low-quality or inactive.
View Full AuditThere’s more behind this audience. See what the full audit reveals.Audience (estimated)
Est.| Metric | Overtimett | Cohort median |
|---|---|---|
| Engagement rate | 0.27% | 2.47% |
| Average likes | 83 | 535 |
| Average comments | 6 | 35 |
| Posts per week | 3.17 | 0.35 |
Median values from 17,051 Music accounts with 10K–100K followers in the InstME index, refreshed Jul 19, 2026.
| Metric | Overtimett | Cohort median |
|---|---|---|
| Engagement rate | 0.27% | 1.39% |
| Average likes | 83 | 284 |
| Average comments | 6 | 21 |
| Posts per week | 3.17 | 0.47 |
Median values from 1,948 Music accounts in United States with 10K–100K followers in the InstME index, refreshed Jul 19, 2026.
Get advanced audience quality signals, growth trend analytics, historical snapshots, and top-performing content patterns.
No credit card needed
Last reviewed: Mar 26, 2026
Nigel Telesford | OvertimeTT is a music brand based in United States on Instagram, with 33.2K followers.
Nigel Telesford | OvertimeTT posts on Instagram as @overtimett.
Nigel Telesford | OvertimeTT has 33,246 followers on Instagram (33.2K) as of Mar 26, 2026.
Nigel Telesford | OvertimeTT's engagement rate is 0.27%, calculated from average likes and comments per post relative to followers. That is in the bottom quarter (median: 2.47%) for Music accounts with 10K–100K followers in the InstME index.
Posts by Nigel Telesford | OvertimeTT average 83 likes and 6 comments.
Nigel Telesford | OvertimeTT posts about 3 times per week on average.
InstME's audience-quality analysis estimates about 25% of Nigel Telesford | OvertimeTT's followers are low-quality or inactive, giving an audience-quality score of 70/100.
Nigel Telesford | OvertimeTT is registered as a business account on Instagram.
3,552
6
Avg Views
2,266
Posts / Week
3.17
Growth Score
5.4 / 100
More men than women · mostly 16–30
Typical for Music creators in United States, modeled from the niche, not measured for this account.
Content Focus
Primary: Music
Secondary: Parenting
Engagement
0.13%
Nigel Telesford | OvertimeTT is categorized as a music and parenting account in the InstME index, based on the profile's bio and Instagram category across 3,552 posts.
Nigel Telesford | OvertimeTT's profile places the account in United States. Location comes from public profile signals, so treat it as the account's stated market rather than a confirmed address.
A sponsored post from Nigel Telesford | OvertimeTT is estimated at $120 to $220. This is a model based on audience size and engagement, not a rate card, so real pricing is set by the creator.
